Edgar Degas
French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
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Edgar Degas The Female singer Wearing Gloves oil painting


The Female singer Wearing Gloves
mk128 53x41cm
Painting ID::  37735 		Edgar Degas
The Female singer Wearing Gloves
mk128 53x41cm
   
   
     
Edgar Degas The actress in the tiring room oil painting


The actress in the tiring room
mk128 60x43cm About 1879
Painting ID::  37736 		Edgar Degas
The actress in the tiring room
mk128 60x43cm About 1879
   
   
     
Edgar Degas People oil painting


People
mk128 Oil on canvas 92x68cm About 1876
Painting ID::  37737 		Edgar Degas
People
mk128 Oil on canvas 92x68cm About 1876
   
   
     
Edgar Degas The actress in the tiring room oil painting


The actress in the tiring room
mk128 87x37cm
Painting ID::  37738 		Edgar Degas
The actress in the tiring room
mk128 87x37cm
   
   
     
Edgar Degas Dance oil painting


Dance
mk128 Oil on canvas 81x76cm
Painting ID::  37739 		Edgar Degas
Dance
mk128 Oil on canvas 81x76cm
   
   
     
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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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